Tuesday, 23 May 2017

May Day Manifesto @ Hay Festival - Friday 26th May

It is 50 years since the publication of the groundbreaking May Day Manifesto, edited by Raymond Williams. To celebrate this milestone, and to reflect on its relevance today, the Richard Burton Centre's Director Daniel Williams will be joined in discussion by Bonnie Greer, Stefan Collini, Merryn Williams and Leanne Wood. More information, and how to book, can be found here.

Monday, 6 March 2017

Mining the Meaning

Richard Burton Research Fellow Tomoki Takayama will deliver the first of our postgraduate discussion groups for this year at 3pm, Monday 6th March, in KH241.

Dr Takayama has been with us since October, working on the Raymond Williams papers in the Richard Burton archives.

Preparatory reading is Raymond Williams, 'Mining the Meaning' in the posthumous collection Resources of Hope (Verso, 1989).

Cynhelir y cyntaf o'n grwpiau trafod ar gyfer ol-raddedigion ar ddydd Llun, Mawrth 6, and 3 yn ystafell KH241.  Croeso i bawb.

Monday, 31 October 2016

Paul Robeson Seminar / November

Arts and Humanities Conference Room, B03.
Ystafell Gynadledda’r Celfyddydau a’r Dyniaethau, B03.
Wednesday, November 2,  2pm – 3.30 pm
Dydd Mercher, Tachwedd 2, 2pm – 3.30pm

To coincide with Marilyn Robeson’s visit this seminar will explore recent work in African American studies at Swansea University.

Yn ystod ymweliad Marilyn Robeson â Phrifysgol Abertawe, cynhelir seminar ymchwil ar waith diweddar ym maes astudiaethau Affro-Americanaidd.

Opening Remarks: Hywel Francis.

Rachel Farebrother, 'The Styling of Black Diasporic Identity in Eslanda Goode Robeson's Paul Robeson, Negro (1930)'

Clare Davies, 'Patronizing the Primitive? Dorothy Edwards, Nella Larsen, and modernist patronage networks'

Daniel Williams, ‘Michael S. Harper, Paul Robeson and Remembering Aberfan’

Monday, 17 October 2016

Crossing Borders Conference

A one day conference on art and literature to accompany the exhibition 'Four Painters in Raymond Williams's Border Country' at MOMA Machynlleth

Saturday 5th November

10am Coffee

10.15 Welcome and introduction

Morning Session : Art and Literature in the 1930s to 1950s

10.30 Dr Peter Wakelin, exhibition curator
Four realist painters in South Wales: Baker, Burton, Elwyn, Isaac
11.00 Professor Daniel G. Williams, Swansea University
Raymond Williams and the Image
11.30 Peter Lord, independent scholar
Related Landscapes: some lines of communication in Welsh painting from the ‘30s to the ‘50s
12.00 Dan Gerke, Swansea University
Raymond Williams on Realism

12.20 Break to visit the exhibition
Attendees make own arrangements for lunch (choice of cafés & shops)

Afternoon Session : Borders and Crossings in Art and Literature
13:30 Dr Mary-Ann Constantine, Centre for Advanced Welsh & Celtic Studies
‘Boundaries, drawn by the eye’: Crossing borders in Romantic-era Wales

14:00 Clare Davies, Swansea University
T. S. Eliot, Raymond Williams and Satellite Cultures

14:20 Dr Luke Thurston, Aberystwyth University
Unhomely Borders

14.50 Tea

15:15 Discussion with contemporary writers and artists, chaired by Mary-Ann Constantine

16.15 End

£15 (£10 unwaged) includes tea and coffee
Queries: info@moma.machynlleth.org.uk or phone 01654 703355 

To register http://moma.machynlleth.org.uk/?page_id=810 

Friday, 23 September 2016

Farewell / Ffarwel/ さようなら Shintaro Kono a Takashi Onuki

Richard Burton Centre / CREW International Fellows 2015-16

It was a great privilege this past academic year to welcome our first international fellows to Swansea. Brief biographies of our two International Fellows appear below, followed by their impressions of the year spent at Swansea University.


Shintaro Kono is an associate professor at Hitotsubashi University and was a Richard Burton Centre Fellow at Swansea University (2015-16). He has been studying British Modernism, Welsh writing in English, and cultural criticism and theory in the 20th century (including, above all, Raymond Williams), and he is also making critical investigations into the cultures of neoliberalism and globalisation. His works include The Genealogy of the Country and the City (in Japanese, Minerva Shobo, 2013), and Critical Keywords: Reading Culture and Society (in Japanese, co-edited with Yasuo Kawabata and Takashi Onuki, Kenkyusha, 2013), and he has translated Raymond Williams's essays which have been included in  Towards Common Culture: Cultural Studies, vol. 1, a Japanese edition of Williams's essays (edited by Yasuo Kawabata, Musuzu Shobo, 2013; vol. 2 to be issued in December 2015), and Tony Judt's Thinking the Twentieth Century (Misuzu Shobo, 2015) among many other books.

Takashi Onuki is Associate Professor at Kwansei Gakuin University, was Richard Burton Centre Fellow at Swansea Univeristy with 'Research Abroad with Full Sponsorship from KG'. His fields of interests are Raymond Williams and his contemporary writers; culture and society in twentieth-century Britain. His works include Cultural History: Affections and Struggles in Britain, 1951-2010 (in Japanese, co-edited with Yasuo Kawabata, Shintaro Kono, et al., 2011) and Critical Keywords: Reading Culture and Society (in Japanese, co-edited with Shintaro Kono and Yasuo Kawabata, 2013). Writers whose works he co-translated include Edward W. Said, Eqbal Ahmad and Raymond Williams: Towards Common Culture: Cultural Studies, vol. 1, a Japanese edition of Williams's essays (edited by Yasuo Kawabata, 2013; vol. 2 to be issued in December 2015).

Shintaro Kono, Daniel Williams, Takashi Onuki

Shintaro Kono

My year as a Richard Burton Centre Fellow at Swansea University turned out to be very productive thanks to the Richard Burton Archive and the untiring support from its staff, and to the staff and students of CREW. My two main aims in Swansea have been to make research the Raymond Williams archive, which is a part of the Richard Burton Archive, and more generally to develop my knowledge of Welsh writing in English. Specifically, what I tried to do was to look in detail into the formation of Raymond Williams's famous book Culture and Society (1958). I was also interested in fictional works by Raymond Williams, and the archive turned out to hold a vast collection of unpublished or unfinished fictional works. I feel that a year was far from enough to exhaust such vast materials, and although I made many discoveries and my research progressed at the archive, it still gives me a good reason to come back to Swansea again.

I was also very happy to be part of the research community of Swansea University. The attendance at an MA course in Welsh writing in English broadened my view on the subject, and my project on Lewis Jones (about whom I finished a book chapter during my stay in Swansea, to be published next year, I hope) was greatly inspired by it. Also, the Raymond Williams Reading Group, which was organised by Professor Daniel G. Williams, gave me a great opportunity not only to learn how Raymond Williams can be read in various productive ways now in Wales, but to get to know such inspiring Raymond Williams scholars who gave papers at the meetings.

Apart from, or along with, these scholarly achievements, to get the firsthand experience of the culture and life of Wales was an invaluable gain for me. Socially and politically, we have to admit that the year I spent in Wales was a year in turmoil, as, for instance, the troubles with the Tata steelworks in Port Talbot, the results of the Welsh Assembly election and, above all, of the EU referendum will show. But these experiences helped me understand in what context Welsh writers were and are writing. After all, as a scholar of literary studies, getting down to 'experience' (however remote it may seem) is vital. In addition, I really appreciated the welcoming spirit which we -- I and my family -- encountered in Swansea. This was the first experience for me and my family to settle in a foreign place, but not only those at the university, but my neighbours and the teachers and school friends of my children were always ready to help us, and we were able to enjoy our stay fully thanks to that. Lastly, my gratitude goes to the staff and the students at Swansea University. It would have been an honour to get to know them even briefly, but the honour was doubled by the fact that I was able to feel that I was really the part of this learning community. I hope our academic exchanges will last. Our friendship certainly will.

Takashi Onuki

I stayed as a visiting fellow at Swansea University from September 2015 to August 2016. The main purpose of my visit was to explore the Raymond Williams Papers, especially materials relating to his novels. By being in close contact with the people of Swansea University and of Wales, I hoped to learn various concepts that would be necessary to interpret Williams’s works. Above all, I wanted to understand the intention and motivations informing the writing of Raymond Williams’s last novel People of the Black Mountains (1989-90). I supposed that ‘placeable bonding’, a phrase found in his controversial essay ‘The Culture of Nations’ (1983), would be one of the keys to deciphering this posthumous novel; however, without the perspective of Welsh Writing in English, it was very difficult to describe Williams’s ‘place’ in relation to other writers in Wales and in England. And without that perspective, I also thought, my discussion on Williams would be too abstract. Looking back, I found it a remarkably fruitful year in which I did research at the Richard Burton Archives, read two papers at international conferences, and above all published a monograph in Japanese which had a strong emphasis on Wales and Welsh culture.

I am not exaggerating at all when I say that without auditing the MA course by Professor Daniel G. Williams, attending the Raymond Williams Discussion Group held every other week - always followed by a lively discussion with the various people gathered there - I wouldn’t have has such a productive year. My book written in Japanese titled Towards “My Socialism”: Raymond Williams and a Twentieth-Century Culture in Britain (Tokyo: Kenkyusha, 2016) features an analysis on Raymond Williams’s last novel People of the Black Mountains, probably the first substantial attempt in Japan. In analysing this work by Raymond Williams - a cultural critic and novelist famous even in Japan - what played an indispensable role was the term ‘Welsh Europeanism’, a concpet which we discussed on that MA course. Although I had understood the basic meaning of ‘Welsh Europeanism’ before going to Wales, it was the way in which the course dealt widley with Welsh Writing in English in the 20th century that helped me to grasp the significance of the phrase in its historical context, and its strong tension with other ideas and frames of identity. Something local and something universal are emphasised at the same time: this idea lying at the core of Williams’s ‘Welsh Europeanism’ turned into a lived experience, not an abstract concept, during my stay in Wales. It follows that ‘placeable bonding’ in Williams was not just ‘local’ but something to be held in common. Furthermore, a lecture by Dai Smith, Raymond Williams Professor at Swansea University, at the Discussion Group gave me another insight into this phrase which derived from the identity of the border. Dai Smith referred to a ‘deviousness’ in Williams, a necessary quality perhaps for the resilient people of the border country between Wales and England having to deal with conflicting cultures and loyalties.  This gave further insight into the phrase ‘placeable bonding’ and the novel People of the Black Mountains.

Lastly, I would like to express my deep gratitude for everything that my family and I have experienced in Swansea and in Wales, but can’t find a brief expression for that. Instead please let me introduce my wife’s words. She said: ‘I actually had no knowledge about Wales before coming here, but I found myself in deep love with Wales at some point during my stay!’ I think she felt ‘placeable bonding’ with this place, and please let me say the same thing and hope our friendship and academic collaboration will last for a long time.